Vesna&Anze Flat

 

Vesna wished to have timber kitchen in combination with black – I think she was thinking well ahead – I mean what could fit her orange juice better? What I really like about this kitchen are those white 3D tiles – it’s Subway tile but with a little bit of add-on – love it!

I am such a big fan of round tables! They just look so nice, it’s so pleasant to sit around them and what’s the best thing about them is the fact that everyone can communicate with everyone! Look at us how happy we are sharing everything on that table with everyone ;)!

That’s Cori, Vesna’s family doggy! She is literally the cutest dog ever! I am more a cat than a dog person, however, I’m crazy about Cori, she is definitely my favourite dog! To leave Cori on the side for a moment – behind here there is a concrete finish – my original proposal was slightly more colourful but I am super happy with this choice of wall surface as it really matches this sofa and a little bit more enclosed feeling under the staircase.

The living room was meant to be a place for chilling – somewhere where you can watch a movie, read a book on a Kindle or hang out with friends. Vesna received Eames’s rocking chair from her sister Veronika as a present so we definitely wanted to place that timeless piece of furniture in a good spot.  Living room area is design in a contemporary style with slight industrial touch – the combination of concrete and metal.The last but not the least – the terrace – when it gets hit by the sun at noon it’s just a place to be! With this bespoke handmade bench which can be used as a deck chair as well as a table or anything else is just perfect for summer days or nights! And that’s it! Can’t wait to visit them again! Vesna put the coffee on! 🙂

The Throne In The House

As you might know my love to discover new places and intriguing architecture never stops and I recently had the pleasure of exploring Home House, which is London’s most exclusive private members’ club. The club takes space of three Georgian townhouses situated in the beautiful Portman Square which is in the heart of London. I was astonished by the magnificence of the 18th Century architecture and the opulence of the neo-classical design in a relaxed and friendly atmosphere which members and guests can enjoy.

Being in this splendid place of Home House I was thrilled to speak with Omar Al-Janabi – founder and owner of Capture The Throne Clothing. We talked about the history behind the brand and the thin line between fashion and architecture.



 

You have recently launched your clothing brand which seems to have a lot to tell. What is the story behind the brand Capture The Throne?

It’s quite a straightforward story with CTT if I’m honest. I have always been a fashion lover, from buying into the latest trends to admiring all aspects of the industry. However, the one thing that stuck out to me was that when it comes to street wear brands, they are all generically the same.  

The majority of brands tend to play it safe and there isn’t a huge diversity in design. There’s no sense of originality or danger in fashion anymore as there once was around a decade or two ago. 

Furthermore,  original artwork and graphic design play a big role in CTT, which is a rarity these days amongst most brands in this sector. So really, I wanted to fill this gap in the market with a brand that that was rich in all of these elements I feel have been forgotten.

I suppose the name of the brand kind of sums of my aim and end goal that being there currently is a vacant throne here, and what better way than to make some noise and capture it.


 

 

Are designs of Capture The Throne influenced by something specific? What are you trying to tell through these designs?

At this stage, the design we have for our first collection is influenced by Russian history, that being primarily the Soviet era (Chernobyl top) and pre-Soviet/Red October or the Russian Revolution period (Vozhd & Pravda tops) which I have always had a keen fascination on for as long as I can remember. Coincidently, this year being 100 years since the Russian Revolution and the start and rise of Communism. So what great timing than now to launch the brand! 

 The aim of CTT is to give people a sense of historic value when it comes to experiencing the brand. From our current collection to our future ones, there will always be a historic back story in all our designs. I think it adds a sense of added value knowing that he or she is wearing something that played an important role in history.

Our message is conveyed through strong visuals in the form of original artwork and design by our graphic designer Chris Stringer. He really understands how the brand is portrayed and the message that needs to be put across.  The added benefit is he has a lot of input into the designs and to me that’s good. 

By from what I’ve seen, your brand seems quite controversial. Has this been a problem for you as of late?

Capture The Throne believes in the crucial power of visuals we are subjected to, especially the ones from difficult times in history. The imagery is meant to provoke discussion and opinion – that is the whole creative motive behind the brand. Some people may question the theme behind our designs but history and politics is a huge aspect of everyone’s worlds, especially in the current political climate we now live in.


We met in this gorgeous 18th-century building of Home House – how important is space you work or spend time in for your creativity? 

I think being surrounded by something you admire or are inspired by is very important and collectively fundamental for what I do creatively. It’s also very important for me to not spend too much time in one place and to explore new places as well. I think the one thing in this world is that we all tend to get bored very easily and I’m probably the biggest culprit when it comes to this. So I took this into account with CTT, to always make a conscious effort to not stick to one era of style but to keep spicing things up and exploring new genres, without deviating too much away from the concept/message of the brand. Hence exploring new places adds a huge benefit to me to better further CTT in the long run. 

 What is special about Home House? Would you say it’s your “secret space”? 

I’d say ideally, it’s my way of escapism from the outside world. Being a private members club, to me, it resonates this whole element of it being a kind of secret realm or yes secret space as you’ve so rightly put it. 

 To me, it seems like a brilliant combination of a place to socialise in but on the flip side, a perfect spot when you just need some time for yourself. Would you say that this place alone gives you that added inspiration behind what you do for Capture The Throne or are there other places that you’d say gives you that creative buzz?  

This place included and some others for example in London, like The British Museum, most notably gives me a lot of key inspirations behind the brand. I mean what better way than to be in the presence of something that has a huge history plus collections of past cultures and civilisations too? 




When creating fashion – are you ever influenced by some architecture by any means? 

 For sure. One of my favourite architects was Albert Speer. For those that are not familiar with him, he was a prominent architect during the height of the Nazi party and World War II. He created some of the most jaw-dropping architectural pieces of work that still to this day amazes me. I am really inspired by the architecture created in hard historical pinnacles. I believe they convey the story of their time.

 Also, I’m an avid fan of Stalin-era architecture too. What I find so fascinating about those era’s was how everything was so large and god-like in size even going down to the statues and monuments. 

 What kind of architecture do you like and why?

Imposing yet classy style of architecture. Dubai being my second home is the perfect example for this especially the Burj Khalifa. If it isn’t colossal and eye-catching than I’m sorry it’s not for me. 




What connections can you see between fashion and architecture?

 In my eyes, I find these two industries bar for the materials used, very similar. When you look into both, they incorporate the elements of designing something that will catch the eye and have people mesmerised by the look, feel and design of the set piece. An architect is no different from a fashion designer, you lay down the concept of what you want to produce and then create the masterpiece that you envisioned. 

 It seems people can interact or connect with fashion better than with architecture… Do you have some advice how people could identify more with the architecture?

 My sole advice would be to make architecture a part of your fashion journey. When you go shopping say at Harrods or Selfridges, admire the building(s)/structure(s) there, take a time to take in the design work displayed and the interior aspect of the place(s). Most notably how things are showcased. Selfridges window display is one of the best I’ve ever had to witness. There is an art in how collections are presented and housed – this is the marriage of architecture and fashion.





Do you feel you can express yourself through fashion? How does your personality resemble in your brand designs and how in what you wear? 

Well, I’m very known for being quite outspoken at times and not afraid to express how I feel, so I’d say that my personality filters into the brand very nicely in the sense where CTT itself isn’t afraid or held back to portray the designs and message across. 

 It sounds like there are exciting times for your brand. What is next for Capture the throne?

Hopefully more controversy! 

 

Capture The Throne Clothing are represented by POP PR, 20 Great Portland Street, Fitzrovia, London, W1W 8QR. For press enquiries please contact Lori Cutler on +442076373332 or email lori@poppr.co.uk

 

Nobis – presidential apartment

What to expect: To be placed in a dreamy world full of creativity, warmth and surprises

Location:  Set in the heart of the city (Norrmalmstorg, Stockholm, Sweden)

Style: Contemporary elegance is upgraded with bourgeoisie stone architecture

Function: Stockholm’s first contemporary luxury hotel

Architecture: Claesson Koivisto Rune

Interior: Claesson Koivisto Rune

Year: 19th century

Why I visited?

At the time I was in the middle of conceptual design for a family house in Maribor, Slovenia. Whenever I am starting a new project I like to go away for a couple of days, just to get some inspiration, to allow my brain to rethink the possibilities and relax in a new environment. As it has been few years since I have been in Stockholm I decided for a weekend trip to this lovely Scandinavian city.  

I was thinking of a place, where I can have some space for myself, where I can relax and think as well as sit down and do some sketching and friend of mine who lives in Stockholm told me Nobis might be the right choice. Being placed in the heart of Stockholm and with intriguing objects placed all across space, I knew immediately that she was right. As I love to discover places that have been given a great dedication to the detail and at the same time combine playful contemporary design with elegance and lavish of old bourgeois architecture I though Nobis is the best choice.

About Design

I was astonished by the space as soon I slept into this warm hotel. I’ve got the pleasant feeling of homeliness yet timeless elegance that embraces you from all the sides and gives you feeling of being part of something extraordinary.

Small entrance hall compresses your fillings but gives you a warm feeling as if you have just stepped into your home. Continuing your way to the central atrium and a great surprise happens – small space suddenly expands in the circular atrium with an enormous chandelier hanging almost like from the sky and mirrors are leaning on the walls as if they need just a little support. The atrium is like a little imaginary world itself – models of a simple red house are placed around the space almost as if they would have been inviting you to imagine your story and to play inside of it.

Claesson Koivisto Rune created contemporary interiors which are acting in two directions –  to contrast on the one hand and to synthesise with the splendid 19th-century bourgeois stone architecture on the other hand. The moods, colours and features of the city of Stockholm itself in winter days have been a source of inspiration. Large range of furniture and other interior design objects were designed and manufactured exclusively for Nobis.

PRESIDENTIAL APARTMENT

The presidential apartment is placed on the top floor, and it has a circular arrangement of the spaces leading you from one room to another. The big sitting room is bright, and a socialising orientated with views to the main square Norrmalmstorg. The second room is more intimate, overviewing the inner atrium. Here you can find a super comfortable bed with a canopy and area with a working table in case you need to do some work on your laptop.

The presidential apartment is dedicated specifically demanding guest which should have been pleased with all the details given to that interior.

My recommendations

  • Spend an evening in the central atrium from the comforts of an armchair with a cocktail in hand. This space is magical and will make you feel stay, relax and chat with friends or maybe some new acquaintances.
  • Before seating down in the central atrium enjoy a glass of whisky, Champagne or an interesting cocktail in The Gold Bar while surrounded by gold mirrors and dim lights – so classy!
  • There are super friendly and helpful guys at the reception – you have to take a chance to speak with them if you have any requirements or desires!
  • I know you came to Stockholm to explore the city itself but if you have a spare moment – do spend some time in your room and relax – all the rooms are so pleasant, comfortable and playful that you need to take some time to enjoy what they offer you.

Final word

As I am always excited to see and experience new places it was the same before we came to Nobis – I was excited what I am going to feel and experience there. Once we were there I was astonished – it’s not only about what you can see – it’s about the feelings space gives you – and those are priceless. You can’t catch it on the photo or describe with words – you have to go there, sit down, feel it.

Rosewood London

What to expect: To be placed in another era (something like 20’s) and reset your mind

Location:  Set in the heart of the city (High Holborn, London, UK)

Style: Interior – combination of English heritage and contemporary sophistication (architecture originally designed in flamboyant Edwardian style)

Function: Ultra – luxury hotel (former offices and East and West Banking Halls)

 

Architect: H. Percy Monckton

Interior: Tony Chi and Associates; Martin Brudnizki; Gerald Scarfe

Year: 1912-1914

Current state: The Grade II-listed building

Why I visited?

Initially, I was brought here as I was researching Martin Brudnizki work which seemed to be very intriguing. Along the research, I came across the Scarfes Bar and it has been brought to my attention that there is a complimentary live music 7 nights a week from jazz to soul and blues. Once I went there I knew immediately that this is “my place”.  From the Scarfes Bar I was brought to the hotel areas and that’s when I really fell in love with this place.

About Design

The interior design is captivating rich and lavish. Spaces are full of quirky objects which made me so happy I would jump around yet I felt so calm. English Heritage is skilfully combined with a contemporary sophisticated design which evolves a peculiar narrative – you don’t know what to expect next and it gradually reveals itself through the sequence of intriguing spaces an abundance of furnishings, textures and objects d’art’.
In everything is seen a dedication to the detail – even in the way Champagne bottles are placed in a metal bowl in arty Scarfes bar. The lavish interiors are fitted out with Cuban mahogany and seven types of marble, including extremely rare types such as Swedish Green and Statuary.

One of the most dramatic features is the Renaissance-style seven-storey grand staircase. The staircase features seven different types of marble, some of which can no longer be found anywhere else in the world. The lifts are exquisitely embellished with traditional moulded leather, wrapped panelling and an alpaca ceiling.

The rose bronze gallery (picture 1) is a striking Lobby connecting the hotel’s public spaces, designed by Tony Chi and Associates. The corridor is ostentatiously rich and lavish and comprises a black and white marble mosaic flooring, gilded eglomise glass partitions filled to the brim with quirky art and books, oak armoires and a parchment reception desk. In the centre wall, a one-off painting ornately hangs by world renowned Chilean artist, Eduardo Hoffmann, displaying the rolling countryside surrounding an English country estate. Seating here aroused unexplained combination – calmness tainted with the explosion of feelings.

Scarfes Bar is designed by renowned interior designer Martin Brudnizki. Brudnizki worked together with Gerald Scarfe, prominent British artist and caricaturist who has leant the bar his name and artistic aid. The input of both – Brudnizki and Scarfe – created this pleasant atmosphere with a roaring fire and chatty caricatures on the marble walls. Joshing illustrations are creating an amusing atmosphere that attractively relaxes and twist the traditional luxury that has been exquisitely accomplished by Brudnizki. There is ‘artfully current’ corner which is continuously updated to reflect the current affairs of the time.
The bespoke fireplace is made from metal, antique brass and bronze and is 1.8 metres in height and complemented by a walnut art deco mirror which hangs above it. Over 1000 antique books, handpicked by a Portobello art dealer, take pride of place in the shelves throughout the bar. Highlights include a 1870 lollipop rocking chair sourced in New York, 1950s antique cocktail chairs and the bar stools which were inspired by an original Edwardian arm chair. The furniture is creating discreet, intimate corners on a wooden herringbone floor strewn with hand-woven rugs. No need to mention that the bartenders at the bar are skilful, elegant and very kind and cocktails are exquisite.

My recommendations

  • Enjoy live piano play and singing from the comforts of a velvet armchair with a cocktail in hand. It feels like you are in 20’s in some luxurious resort.

  • Seat down in the reception area and read one of the books there – there is a great collection of art, fashion, music, design and other types of books – and the ambient is just thrilling.

  • Walk through the courtyard, The rose bronze corridor and the grand staircase – I promise it’s going to arouse feelings in you.

Final word 

It’s about art, fashion, design, history, actuality, architecture, amusement, bliss and everything in-between.I have enjoyed lots what I have seen and experienced. I highly recommend this charming place, go there and experience it for yourself!

 

Introduction

I have been fortunate to be where I have been and to meet people I have met. All this gave me the chance to explore what I like the most – intriguing spaces and the architecture, especially the one that is slightly hidden and with a memorizable character. You know – when you find a place and you can really feel the soul of it – energy, mystery or feelings that arouse in you. I want to share with you the one I found and maybe inspire you to go there and experience them for yourself.

Somerset House, London